A journalist for the arts in America named Grace Gluck. Between 1951 and early 2010 she was hired by The New York Times.
Grace Gluck Early life
July 24, 1926, Gluck He was born in New York. Her mother, Mignon (Schwarz), she was a stay-at-home mom who helped local newspapers; his father, Ernest, was a municipal bond seller on Wall Street until the Great Depression.
Gluck has grown up at Rockville Center and graduated from high school there. At New York University, she then earned a BA in English, which she graduated in 1948. She worked as the director of The Apprentice, the school’s literary magazine, while she was a student there.
Grace Glueck’s death
Grace Gluckan experienced art journalist who was instrumental in the 1974 sex discrimination trial who forced The New York Times to admit reporters, she died on October 8 at the age of 96 in her Manhattan home.
His writings on art were witty, revealing and seemed easy; it reached its peak in the late 1960s and early 1970s, when the city’s art scene was booming. Glueck during a career that has lasted sixty years establish a standard for artistic writing a the New York Times which elevated the subject to essential status and motivated newspapers across the country to start dealing with the subject themselves.
He did so by bringing the eye of a journalist, rather than a critic, into his stories.
Grace Glueck, a journalist who broke new ground in making the art world a distinct pace at the New York Times, and later helped bring a major sex discrimination lawsuit against the newspaper, died at 96. https://t.co/yWCUzjI8YL
– New York Times Arts (@nytimesarts) October 9, 2022
Grace Gluck He was born in New York on July 24, 1926, and grew up in a Long Island suburb. She earned it Graduated from New York University, which was then primarily a suburban school rather than the block-eating colossus it would later become.
There she worked as editor of the literary magazine The Apprentice. She began working in a travel magazine for a short time after graduating from college in 1948. She began working as a copyist for The Times in 1951 after a man who interviewed her for the job wrote about her candidacy, “attractive. brunette, “according to the newspaper official.
He started working at New York review di Libri as an image researcher two years later. In 1963 he received a Sunday Art column after suggesting that one of Balthus’ nymphets be used to illustrate an article on Nabokov’s Lolita. At the time, women were generally reserved for secretarial and secretarial positions in the newspaper.
Her column, Art People, which incorporated topical news with in-depth interviews and quick gossip, quickly attracted the attention of the editors of the Times newspaper, who hired her. as an art journalist.
The turbulent art scene in New York, which in the end 60s and up to the 70s was characterized by the loft movement that radically changed the look of SoHo, the ancestry of Pop Art alongside Op Art, Minimalism, Happening, and a burgeoning feminist art movement, was the subject of Glueck’s first serious reportage.
In his new position, Glueck, who at the time of his retirement had written more than three thousand articles for The Times, has written or conducted interviews with hundreds of artists, including Andy Warhol, Georgia O’Keefe, Willem de Kooning and Marcel Duchamp. .
Times editor Arthur Sulzberger has published a list of publishing promotions in 1969 which did not include women. Glueck asked for an explanation in a letter to Sulzberger.
The Times did not provide a satisfactory answer and five years later eight women who worked there presented what Mary Marshall Clark, director of the Center for Oral History Research in University of Colombiahe would later call it “the most important sex discrimination lawsuit in American journalism,” accusing the newspaper of violating the Civil Rights Act of 1964.
The “Seductive brunette” comment was used as evidence in the preliminary proceedings. The case was solved in 1978, with the Times agreeing to hire more women at all levels of employment and to establish annuities to cover lost wages due to missed opportunities or delayed career advancement.
Glueck retired in 1991 after working as a cultural editor of the daily edition of the Times for a short time before resigning to focus on the news, which he preferred. She published two books, spent a short time working for The Observer, then she returned to the Times, where she continued contributing until her 80s.
For Glueck, art journalism told Sharon Zanewho interviewed her in 1997 for the Oral History Program of the Museum of Modern Art, which opera “It really provided a life, and it was interesting.” “I enjoyed my work. I enjoyed meeting new people and I don’t think I’ve ever looked at my watch and said: “Thank God it’s time to go home.”